aA Zoo of Lusts . . . A Harem of Fondled Hatreda: An Historical Interrogation of Sexual Violence against Women in Film explores the pernicious nature of rape in films from the silent era to the 21st century. Film is an excellent medium through which to hold this discussion, because film, like the body, as Judith Butler, et al. suggest, is fluid and indeterminate, and it is often contemplated as a site for negotiation and resistance. This book addresses three major questions: (1) why does rape persist as a recurring theme in film, (2) how is this subject manifested in film and (3) what does this manifestation say about the act of rape itself, its victims, its perpetrators and our culture? Rape is a sexual manifestation of aggression with the purpose of overpowering, humiliating, and hurting its victims. An examination of media accounts has revealed that before the evolution of feminist film theory and the dismissal of the Production Code, the rape victim in films usually fits into one aneata set of criteria (e.g., young adult, white, single, middle class, heterosexual). When the victimas physical makeup deviated from the traditional set of criteria (e.g., a child or a mature person of color, married, poor, homosexual), the rape was portrayed more violently. The research for this book dwells on the portrayal of the latter type of victims because their sexual violations evoke an absorbing commentary on societyas reaction toward those who do not easily fit within the status quo. What is it about the makeup of these victims that makes their violations more horrific?In Amya#39;s case, the men of her small English village rape her to get back at the husband who has dared to infiltrate their village and taken away one of their women. ... David becomes angry when he notices that Amy is not wearing a bra and that she is oblivious to the reaction she garners from the village men. ... The triangle gets set in motion with her husband down below and the village men at the top.
|Title||:||"A Zoo of Lusts…A Harem of Fondled Hatreds"|
|Publisher||:||Cambridge Scholars Publishing - 2011-05-25|