Drawn mainly from the centennial anniversary symposium on James Agee held at the University of Tennessee in the fall of 2009, the essays of Agee at 100 are as diverse in topic and purpose as is Ageeas work itself. Often devalued during his life by those who thought his breadth a hindrance to greatness, Ageeas achievements as a poet, novelist, journalist, essayist, critic, documentarian, and screenwriter are now more fully recognized. With its use of previously unknown and recently recovered materials as well as established works, this groundbreaking new collection is a timely contribution to the resurgence of interest in Ageeas significance. The essays in this collection range from the scholarly to the personal, and all offer insight into Ageeas writing, his cultural influence, and ultimately Agee himself. Dwight Garner opens with his reflective essay on aWhy Agee Matters.a Several essays present almost entirely new material on Agee. Paul Ashdown writes on Ageeas book reviews, which, unlike Ageeas film criticism, have received scant attention. With evidence from two largely unstudied manuscripts, Jeffrey Couchman sets the record straight on Ageeas contribution to the screenplay for The African Queen and delves as well into his television aminiseriesa screenplay Mr. Lincoln. John Wranovics treats Ageeas lesser-known films--the documentaries In the Street and The Quiet One and the Filipino epic Genghis Khan. Jeffrey J. Folks wrestles with Ageeas aculture of repudiationa while James A. Crank investigates his perplexing treatment of race in his prose. Jesse Graves and Andrew Crooke provide new analyses of Let Us Now Praise Famous Men, and Michael A. Lofaro and Philip Stogdon both discuss Lofaroas recently restored text of A Death in the Family. David Madden closes the collection with his short story aSeeing Agee in Lincoln, a an imagined letter from Agee to his longtime confidante Father Flye. The contributors to Agee at 100 utilize materials new and old to reveal the true importance of Agee's range of cultural sensibility and literary ability. Film scholars will also find this collection particularly engrossing, as will anyone fascinated by the work of the author rightly deemed the asovereign prince of the English language.a Michael A. Lofaro is Lindsay Young Professor of American Literature and American and Cultural Studies at the University of Tennessee. Most recently, he restored James Ageeas A Death in the Family and is the general editor of the projected eleven-volume The Works of James Agee.Centennial Essays on the Works of James Agee Michael Lofaro. more supple framework for what will be advanced than the word art, not least because when a Arta and aLifea jostle with each other, 7 Agee polarizes their claims which his writinganbsp;...
|Title||:||Agee at 100|
|Publisher||:||Univ. of Tennessee Press - 2012-02-25|