Authorizing Shakespeare on Film and Televisionexamines recent film and television transformations of William Shakespeare's drama by focusing on the ways in which modern directors acknowledge and respond to the perceived authority of Shakespeare as author, text, cultural icon, theatrical tradition, and academic institution. This study explores two central questions. First, what efforts do directors make to justify their adaptations and assert an interpretive authority of their own? Second, how do those self-authorizing gestures impact upon the construction of gender, class, and ethnic identity within the filmed adaptations of Shakespeare's plays? The chosen films and television series considered take a wide range of approaches to the adaptative processasome faithfully preserve the words of Shakespeare; others jettison the Early Modern language in favor of contemporary idiom; some recreate the geographic and historical specificity of the original plays, and others transplant the plot to fresh settings. The wealth of extra-textual material now available with film and television distribution and the numerous website tie-ins and interviews offer the critic a mine of material for accessing the ways in which directors perceive the looming Shakespearean shadow and justify their projects.Authorizing Shakespeare on Film and Televisionplaces these directorial claims alongside the film and television plotting and aesthetic to investigate how such authorizing gestures shape the presentation of gender, class, and ethnicity.DreamWorks Pictures, 2006. DVD. Shohet, Lauren. aquot;The Banquet of Scotland ( PA).aquot; Shakespeare Survey 57 (2004): ... 2007. Web. 21 May 2009 alt;htto://www. latimes.comagt;. Spicer, Andrew. aquot;The Reluctance to Commit: Hugh Grant and the New British Romantic Comedy.aquot; The Trouble with ... Irvin Kershner. Perf. Mark Hamill, Harrison Ford, Carrie Fisher, Billy Dee Williams. 1980. Lucasfilm Ltd., 2004. DVD.
|Title||:||Authorizing Shakespeare on Film and Television|
|Author||:||L. Monique Pittman|
|Publisher||:||Peter Lang - 2011|