The late 17th century through to the end of the 18th century saw rapid progress in the development of woodwind instruments and the composition of a vast body of music for those instruments. During this period a large amount of music for domestic consumption was written for a growing amateur market, a market which has regrown in the latter part of the 20th century. The last 30 years has also seen the standard of performance by professionals on these instruments rise enormously. This book provides a guide to the history of the four main woodwind instruments of the Baroque, the flute, oboe, recorder and bassoon, and this is complemented by a repertoire list for each instrument. It also guides those interested towards a basic technique for playing these instruments - a certain level of musical literacy is assumed - and it can be used by students, professionals and amateurs. Advice is also given on buying a suitable reproduction instrument from a market where now virtually any Baroque instrument can be obtained as a faithful copy. This is the first book of its kind and has its origins in the wind tutors of the 18th century.These guidelines are broad ones and cannot be relied on one hundred per cent, and the ability to tell a recorder part ... In Europe, the earliest iconographical evidence of a transverse flute comes from an Etruscan burial urn dating from the second century BC. ... Other types of flutes had been known throughout the ancient world and although the Sumerians played flutes they were of the end- blown variety.
|Title||:||Baroque Woodwind Instruments|
|Publisher||:||Scolar Press - 1999|