An anthology of writings spanning Simon Reynolds's extraordinary career as a music writer, Bring the Noise weaves together interviews, reviews, essays, and features to create a critical history of the last twenty years of pop culture. Bring the Noise juxtaposes the voices of many of rock and rap's most provocative artists - Morrissey, Public Enemy, Beastie Boys, The Stone Roses, PJ Harvey, Radiohead, The Streets - with Reynolds's own passionate analysis. With all the energy and insight you would expect from the author of Rip It Up And Start Again, Bring the Noise tracks the alternately fraught and fertile relationship between white bohemia and black street music. The selections transmit the immediacy of their moment while offering a running commentary on the broader enduring questions of race and resistance, multiculturalism and division. From grunge to grime, from Madchester to the Dirty South, Bring the Noise chronicles hip hop and alternative rock's competing claims to be the cutting edge of innovation and the voice of opposition in an era of conservative backlash. Alert to both the vivid detail and the big picture, Simon Reynolds has shaped a compelling narrative that cuts across a thrillingly turbulent two-decade period of pop music.... goes through the TV screen to chill out with cartoon characters like Spiderman, Snoopy, Tom and Jerry, and Mickey Mouse, visits ... I consider that voice a bug- eyed, white-knuckled, Tyson-veined, clenching you up inside taut and murderous , making you ... Ia#39;m even struck by how his face has a vague resemblance to a Nazi helmet a that sleek, matte finish, that dull glans sheen. ... But maybe there is no a#39;reala#39; LL Cool J, just a shell, an aggregation or accretion of claims and fantasies.
|Title||:||Bring the Noise|
|Publisher||:||Faber & Faber - 2009-04-02|