The collection of essays brings together texts from two decades, documenting two of the author's ongoing areas of interest: the poetics of colour in film as well as affective viewer responses. Employing a bottom-up approach as a basis for theoretical exploration, each of the essays concentrates on a particular film or a number of related films to come to terms with a set of issues. These include the differences between black-and-white and color works, the emergence of bold chromatic schemes in the 1950s, experimental aesthetics of color negative stock, idiosyncratic uses of colour, idiosyncratic uses of motor mimicry, genre-specific reactions to the documentary, and empathetic reactions to animals and to architecture in film.What are the factors that so often make color photography a and even more so color film a aesthetically unsatisfying? Why is it so much easier to take a good black-and-white photograph? As if nature, which quite obviously comes in color, anbsp;...
|Title||:||Color and empathy|
|Publisher||:||Amsterdam University Press - 2014-12-09|