Includes the plays Master and Margarita (Satanas Ball), Vanity, Gogol and Brothers Karamazov From original translations by Faynia Williams. Crane and Williamsa sensational Master and Margarita (Satanas Ball) marked the beginning of a golden period when their company Brighton Theatre premiered a succession of ground-breaking new plays, which took festivals by storm and toured the world. Out of the spectacular Bulgakov, came the minimalist Gogol, a chilling evocation of Gogolas whirling world, distilled into a nightmare for today. Then Vanity, a aglittering diamond of a playa, reclaimed Pushkinas Eugene Onegin as a intimate reflection on a love mistimed and shattered by social convention. From these successes, Brighton Theatre moved onto the main Edinburgh programme with Brothers Karamazov: a leap into the dark world of epilepsy, orthodoxy and murder in the family, which won triumphant reviews and international acclaim. Published now for the first time, these four plays flourished out of a unique collaboration of author and director, which saw them progressing from fringe to mainstream, West End and Off-Broadway without changing their style, and becoming an acknowledged inspiration for many of todayas theatre artists. 'The sensation of Festival drama... Satanas Ball offers an imaginative experience of a high order, blending ideas and feeling with great dramatic force... by turns comic, bleak and stirring.a Sunday Times aSuperlative... fascinating... a brilliant distillation...Where the RSCas Nicholas Nickleby tackles a great novel with sound and fury and a cast of fifty, Craneas Brothers Karamazov does it with stealth and implication and a cast of four.a PunchIVAN : You said you could fake it and you did. SMERDYAKOV: How canyou say that? IVAN :You knew somethingwould happen andyou wanted to beoutof the way. ... IVAN : How are you feeling Smerdyakov? SMERDYAKOV: One the mendsir, anbsp;...
|Title||:||Crane: Russian Plays|
|Publisher||:||Oberon Books - 2012-05-02|