The interdisciplinary essays in Decolonial Voices discuss racialized, subaltern, feminist, and diasporic identities and the aesthetic politics of hybrid and mestiza/o cultural productions. This collection represents several key directions in the field: First, it charts how subaltern cultural productions of the US/ Mexico borderlands speak to the intersections of qlocal, q qhemispheric, q and qglobalizedq power relations of the border imaginary. Second, it recovers the Mexican women's and Chicana literary and cultural heritages that have been ignored by Euro-American canons and patriarchal exclusionary practices. It also expands the field in postnationalist directions by creating an interethnic, comparative, and transnational dialogue between Chicana and Chicano, African American, Mexican feminist, and U.S. Native American cultural vocabularies. Contributors include Norma AlarcA3n, Arturo J. Aldama, Frederick Luis Aldama, Cordelia ChAAivez Candelaria, Alejandra Elenes, RamA3n Garcia, MarAa Herrera-Sobek, Patricia Penn Hilden, Gaye T. M. Johnson, Alberto Ledesma, Pancho McFarland, Amelia MarAa de la Luz Montes, Laura Elisa PAAcrez, Naomi QuiAAponez, Sarah Ramirez, Rolando J. Romero, Delberto Dario Ruiz, Vicki Ruiz, JosAAc David SaldAvar, Anna Sandoval, and Jonathan Xavier Inda.The interdisciplinary essays in Decolonial Voices discuss racialized, subaltern, feminist, and diasporic identities and the aesthetic politics of hybrid and mestiza/o cultural productions.
|Author||:||Arturo J. Aldama, Naomi QuiÃ±onez|
|Publisher||:||Indiana University Press - 2002-04-04|