Survival in the upscale Scottsdale art scene depends on how well a private eye does her footwork... At the age of four, private detective Lena Jones had been found lying unconscious by the side of an Arizona highway, a bullet robbing her of her memories. Now the scarred survivor of a dozen foster homes, Lena has vowed to find the truth about her originsano matter how terrible that truth might be. In Desert Noir, the first of the Lena Jones mysteries, Lenaas quest is interrupted when her friend, heiress Clarice Kobe, is beaten to death in the Western Heart Art Gallery. Lena and her Pima Indian partner Jimmy Sisiwan at first suspect the art dealeras abusive husband, but their investigations soon reveal that domestic violence was hardly the only problem in the victimas troubled life. Clarice, for all her money and beauty, had a dark side; her enemies far outnumbered her friends. Among those who wished her dead are George Haozous, the fiery Apache artist whose graphic work she once banned from her gallery. Another enemy is Dulya Albundo, the daughter of an elderly Hispanic woman whose death was directly attributable to the art dealeras greed. Even Clariceas parentsawealthy land developers whose housing tracts have ravaged the beautiful Sonoran Desertaappear to be oddly untroubled by their daughteras death. Lenaas search for Clariceas killer brings violence back into her own life, yet it also brings her closer to the solution of her own mysteryaher real identity. Set against the backdrop of the posh Scottsdale, Arizona art scene and the nearby Indian reservations, Desert Noir heralds the debut of a detective as wounded as her clients, a woman battling her owndemons while trying to rescue others from theirs.At the large picture window, the vertical blinds were missing a few slats, allowing anyone who so desired to look inside. I peered through one of the gaps and didna#39; t like what I saw. I pulled my head away and started banging against the door.
|Publisher||:||Poisoned Pen Press Inc - 2012-01-04|