Domenico Ghirlandaio was one of the most popular artists in fifteenth-century Florence. He worked in a variety of media, including panel paintings, wall murals, mosaic, and manuscript illumination, and his workshop - to which Michelangelo was apprenticed - was highly influential. This beautiful book offers a radically new interpretation of Ghirlandaioas life and work, viewing him primarily as an artisan active within the craft traditions, guild structure, and workshop organizations of his day. Jean K. Cadogan argues that Ghirlandaio was a pivotal figure in the transformation of the artist from medieval artisan to Renaissance genius. She traces his gradual social elevation, which reflected the increasing respect with which he was treated by his patrons. And she notes that the changes in the way he and other artists were viewed created a milieu that encouraged innovation in technique, style, and content, qualities that were vividly displayed in Ghirlandaioas work. Cadogan explains how his working method, his pragmatic, artisan approach to technique, the organization and functioning of his workshop, and his relations with his patrons affected the works of art Ghirlandaio produced. Her text is complemented by a catalogue raisonnAc of Ghirlandaioas works in all media as well as an appendix of documents useful for scholars.I996, 1, p. 525. 47 aquot;Per il die infuriato David gli rispose che si gli togliesse dinanzi , che valeva piA¹ !.i virtA¹ di Domenico the quanti aiuti ... 49 aquot;Essendo infermo, gli mandarono quea#39; dea#39; Tornabuoni a donare cento ducati da#39;oro, mostrando la#39; amicizia e !a ... Late in his life Burckhardt was deeply interested in the problem of codifying the laws by which style changes in time, and he ... Munich and Berlin, 2000.
|Author||:||Jeanne K. Cadogan, Domenico Ghirlandaio|
|Publisher||:||Yale University Press - 2000|