Based on a study examining the meaning of the term qmedia literacyq in children, this volume concentrates on audiovisual narratives of television and film and their effects. It closely examines children's concepts of real and unreal and how they learn to make distinctions between the two. It also explores the idea that children are protected from the harmful effects of violence on television by the knowledge that what they see is not real. This volume is unique in its use of children's own words to explore their awareness of the submerged conventions of television genres, of their functions and effects, of their relationship to the real world, and of how this awareness varies with age and other factors. Based on detailed questionnaire data and conversations with 6 to 11-year-old children, carried out with the support of a fellowship at the Annenberg School for Communication, University of Pennsylvania, the book eloquently demonstrates how children use their knowledge of real life, of literature, and of art, in intelligently evaluating the relationship between television's formats, and the real world in which they live.The 1995 series of Roseanne abandoned all pretensions to realism; one episode had the whole cast playing Gilligana#39;s Island (baffling to British viewers). Another brought Roseanne together with other sitcom mothers and initiated a discussion about how the roles of women in ... The storyline required him to make a Wizard of Oz-like pilgrimage through the real TV studios, desperately trying to find his wayanbsp;...
|Title||:||Fake, Fact, and Fantasy|
|Author||:||Maire Messenger Davies|
|Publisher||:||Routledge - 2013-11-05|