The mythological, folkloric, and religious beliefs of Western culture have resulted in a long and ongoing history of esoteric themes in theatre from the Middle Ages to the present in Spain and the America. Now Robert Lima, a noted comparatist, brings to bear on this material his wide knowledge of the world of the occult. Lima defines the terms qoccultq and qoccultismq broadly to embrace the many ways in which humans have sought to fathom a secret knowledge held to be accessible only through such supernatural agencies as alchemy, angelology, asceticism, astrology, demonolatry, divination, ecstasy, magic, necromancy, possession, Santeria, sAcances, voudoun, and witchcraft. The dramatic works covered range from medieval materializations of Hell to the Golden Age plays of Lope de vega, Tirso de Molina, and CalderA³n de la Barca, to modern stage works by Valle-InclAin, GarcAsa Lorca, Casona, Miras, and a number of significant Afro-Brazilian and Caribbean dramatists. The concluding comprehensive bibliography of the drama of the occult is invaluable.Epilogue 1. Betty Friedan, aTelevision and the Feminine Mystique, a TV Guide, 1 February 1964, 6. 2. Martha Bayles, aIta#39;s Not Sexist. Its Only Rock And Roll, a New York Times, 28 September 1996, 19. Cher is another rocker who became aanbsp;...
|Title||:||From Mae to Madonna|
|Publisher||:||University Press of Kentucky - 2015-02-05|