In Modernism, Nationalism, and the Novel, first published in 2000, Pericles Lewis shows how political debates over the sources and nature of 'national character' prompted radical experiments in narrative form amongst modernist writers. Though critics have accused the modern novel of shunning the external world, Lewis suggests that, far from abandoning nineteenth-century realists' concern with politics, the modernists used this emphasis on individual consciousness to address the distinctively political ways in which the modern nation-state shapes the psyche of its subjects. Tracing this theme through Joyce, Proust and Conrad, amongst others, Lewis claims that modern novelists gave life to a whole generation of narrators who forged new social realities in their own images. Their literary techniques - multiple narrators, transcriptions of consciousness, involuntary memory, and arcane symbolism - focused attention on the shaping of the individual by the nation and on the potential of the individual, in time of crisis, to redeem the nation.with the development of da#39;Annunzioa#39;s literary style have had their sharpest disagreements over whether or not the Notturno represents a genuine ... For here , the submissiveness of the heroa#39;s will transforms itself into a new style of leadership.
|Title||:||Modernism, Nationalism, and the Novel|
|Publisher||:||Cambridge University Press - 2000-04-24|