Modernist melancholia explores modernism's melancholic roots through the detailed discussion of writings by Freud, Conrad and Ford. The three authors bridge the gap between the Victorian age and modernity: they are influenced by the evolutionary-archaeological model of thought, which shaped nineteenth-century culture, and they anticipate modern conceptions of self and language. In consequence, modernist melancholia is intimately linked to the nineteenth-century obsession with loss and continuity and, at the same time, constitutes a formative moment of twentieth-century modernism, subjectivity and theory. The monograph discusses historical melancholia and linguistic crisis in Conrad's Heart of Darkness (1899), Ford's The Good Soldier (1915) and their jointly published works The Inheritors (1901) and Romance (1903). Freud's ideas on melancholia provide the framework for the discussion, but instead of applying theory to literature, the book identifies in Freud's essays and works by Conrad and Ford similar ways of relating desire, history and a lack of meaning.Freud, Conrad and Ford Anne Enderwitz ... In the record of Freuda#39;s library ( Davies and Fichtner, 2006), 47 books are listed under the keyword a#39;archaeologya#39; alone. ... He presents a diagram that has the system of perception at one end and the motor system at the other end. ... A year later, in 1925, Freud claimed that the complex was a#39;smashed to pieces ... by the shock ofthreatened castrationa#39; so that it anbsp;...
|Publisher||:||Palgrave Macmillan - 2015-07-02|