The function of the painted wooden object ranges from the practical to the profound. These objects may perform utilitarian tasks, convey artistic whimsy, connote noble aspirations, and embody the highest spiritual expressions. This volume, illustrated in color throughout, presents the proceedings of a conference organized by the Wooden Artifacts Group of the American Institute for Conservation of Historic and Artistic Works (AIC) and held in November 1994 at the Colonial Williamsburg Foundation in Williamsburg, Virginia. The book includes 40 articles that explore the history and conservation of a wide range of painted wooden objects, from polychrome sculpture and altarpieces to carousel horses, tobacconist figures, Native American totems, Victorian garden furniture, French cabinets, architectural elements, and horse-drawn carriages. Contributors include Ian C. Bristow, an architect and historic-building consultant in London; Myriam Serck-Dewaide, head of the Sculpture Workshop, Institut Royal du Patrimoine Artistique, Brussels; and Frances Gruber Safford, associate curator of American decorative arts at the Metropolitan Museum of Art in New York. A broad range of professionalsaincluding art historians, curators, scientists, and conservatorsawill be interested in this volume and in the multidisciplinary nature of its articles.verte antique, or antique verte, is commonly used today to describe a diverse set of faux painting and gilding techniques intended to make wood, plaster, or metal appear like naturally patinated or corroded bronze castings. James Pilkingtonanbsp;...
|Author||:||Valerie Dorge, F. Carey Howlett|
|Publisher||:||Getty Publications - 1998-08-27|