Designed for classroom use, this authoritative anthology presents key selections from the best contemporary work in philosophy of film. The featured essays have been specially chosen for their clarity, philosophical depth, and consonance with the current move towards cognitive film theory Eight sections with introductions cover topics such as the nature of film, film as art, documentary cinema, narration and emotion in film, film criticism, and film's relation to knowledge and morality Issues addressed include the objectivity of documentary films, fear of movie monsters, and moral questions surrounding the viewing of pornography Replete with examples and discussion of moving pictures throughout... approaches the camera. How exactly, then, is the viewer so often caught up during film viewing? ... The viewer interacts with characters in the fictional world, but he or she does so in make-believe. For instance, one makes believe that there exists green slime, and that the green slime is on the loose. The question is, then, anbsp;...
|Title||:||Philosophy of Film and Motion Pictures|
|Author||:||Noël Carroll, Jinhee Choi|
|Publisher||:||John Wiley & Sons - 2009-02-09|