altIgQueering Contemporary French Popular Cinema combines close film analysis with a small-scale qualitative investigation of audience responses to examine images of queerness in contemporary French popular cinema and their reception. Through its blending of the textual and the empirical, this book provides a unique insight into the ways in which sexuality and gender are represented on the cinema screen, as well as the spectator reactions they elicit. Since the mid-1990s, depictions of lesbians, gay men, and queer forms of sexual desire and identity have shifted to the mainstream of French cinematographic representation - as evidenced by the box-office success of a series of highly commercial comic films, including altIgGazon maudit (Josiane Balasko, 1995), altIgPedale douce (Gabriel Aghion, 1996), altIgLe Placard (Francis Veber, 2000), and altIgChouchou (Merzak Allouache, 2003). Alongside this commercial strand, a series of small-budget alternative comedies and other genre films have also challenged heteronormative conceptualizations of sexuality and gender. Films such as altIgSitcom (Francois Ozon, 1998), altIgL'Homme est une femme comme les autres (Jean-Jacques Zilbermann, 1997), altIgPourquoi pas moi? (Stephane Giusti, 1999), altIgDrole de Felix (Olivier Ducastel and Jacques Martineau, 2000), and altIgLes Chansons d'amour (Christophe Honore, 2007) portray desire as fluid and/or gender as unfixed. With their use of parody and their blending of comedy with the musical, melodrama, romance or road movie, these and other similar films have resonated with a burgeoning viewing public, tired of having to seek queerness in connotation, of appropriating marginal characters in ostensibly straight narratives, and of tragedy and trauma as the principal modes of representation and spectator address.qMSN as stated permits spontaneity despite being written in that the interlocutor is often required to react relatively immediately, ... unlike telephone conversations, she/he can engage in multiple chats and ambient interruptions and can stall the discussion. ... to explore: likes and dislikes, characters, scenes, pleasures, modality, agency and identification (see appendix iii). ... as possible prompters for discussion, although these were not always influenced by the previous data collected.
|Title||:||Queering Contemporary French Popular Cinema|
|Publisher||:||Peter Lang - 2009|