This volume introduces acivic Shakespearea as a new and complex category entailing the dynamic relation between the individual and the community on issues of authority, liberty, and cultural production. It investigates civic Shakespeare through Romeo and Juliet as a case study for an interrogation of the limits and possibilities of theatre and the idea of the civic. The playas focus on civil strife, political challenge, and the rise of a new conception of the individual within society makes it an ideal site to examine how early modern civic topics were received and reconfigured on stage, and how the play has triggered ever new interpretations and civic performances over time. The essays focus on the way the play reflects civic life through the dramatization of issues of crisis and reconciliation when private and public spaces are brought to conflict, but also concentrate on the way the play has subsequently entered the public space of civic life. Set within the fertile context of performance studies and inspired by philosophical and sociological approaches, this book helps clarify the role of theatre within civic space while questioning the relation between citizens as spectators and the community. The wide-ranging chapters cover problems of civil interaction and their onstage representation, dealing with urban and household spaces; the boundaries of social relations and legal, economic, political, and religious regulation; and the public dimension of memory and celebration. This volume articulates civic Romeo and Juliet from the sources of genre to contemporary multicultural performances in political contact-zones and civic aShakespaces, a exploring the Bard and this play within the context of communal practices and their relations with institutions and civic interests.All this functions with what we have already heard to keep social strife and crisis rather than doomed love firmly ... (13a14) It cannot, it would seem, all be said in 14 lines, and this Prologue knows it. ... But surely the Prologue has done enough to make plain, that even if it is, civil strife in the play is much more than ... They die , but then so does Mercutio. Still, it is true to say that Romeo and Juliet do more to discover the richly positive if terrifying potential of anoughta or total devastation.
|Title||:||Shakespeare, Romeo and Juliet, and Civic Life|
|Author||:||Silvia Bigliazzi, Lisanna Calvi|
|Publisher||:||Routledge - 2015-09-16|