These volumes present John Kinsellaas uncollected critical writings and personal reflections from the early 1990s to the present. Included are extended pieces of memoir written in the Western Australian wheatbelt and the Cambridge fens, as well as acute essays and commentaries on the nature and genesis of personal and public poetics. Pivotal are a sense of place and how we write out of it; pastoralas relevance to contemporary poetry; how we evaluate and critique (post)colonial creativity and intrusion into Indigenous spaces; and engaged analysis of activism and responsibility in poetry and literary discourse. The author is well-known for saying he is preeminently an aanarchist, vegan, pacifista a not stock epithets, but the raison daAotre behind his work. The collection moves from overviews of contemporary Australian poetry to studies of such writers as Randolph Stow, Ouyang Yu, Charmaine PapertalkaGreen, Lionel Fogarty, Les Murray, Peter Porter, Dorothy Hewett, Judith Wright, Alamgir Hashmi, Patrick Lane, Robert Sullivan, C.K. Stead, and J.H. Prynne, and on to numerous book reviews of poetry, fiction, and non-fiction, originally published in newspapers and journals from around the world. There are also searching reflections on visual artists (Sidney Nolan, Karl Wiebke, Shaun Atkinson) and wide-ranging opinion pieces and editorials. In counterpoint are conversations with other writers (Rosanna Warren, Rod Mengham, Alvin Pang, and Tracy Ryan) and explorations of schooling, being struck by lightning, ainternational regionalisma, hybridity, and experimental poetry. This two-volume argosy has been brought together by scholar and editor Gordon Collier, who has allowed the original versions to speak with their unique informalaformal ductus. Kinsellaas interest is in the ethics of space and how we use it. His considerations of the wheatbelt through Wagner and Dante (and rewritings of these), and, in Thoreauvian vein, his aplacea at Jam Tree Gully on the edge of Western Australiaas Avon Valley form a web of affirmation and anxiety: it is space he feels both part of and outside, emAnbraced in its every magnitude but felt to be stolen land, whose restitution needs articulating in literature and in real time. Beneath it all is a celebration of the natural world a every plant, animal, rock, sentinel peak, and grain of sand a and a commitment to an ecological poetics.So, caution in terms of safety but also caution in terms of pattern. It is not hard ... They travel in groups that are alive with cross-movement and crossareference. Their song is ... Their brilliant yellow-tailed tiny bodies erupt and hide themselves.
|Title||:||Spatial Relations. Volume Two.|
|Publisher||:||Rodopi - 2013|