This moment of perfect clarity that is the force behind all the traditional Japanese artsafrom archery to flower arrangingais celebrated here in Dave Lowry's exploration of the common principles shared by calligraphy and the martial arts. Forty-two examples of Lowry's calligraphy, accompanied by his essays, show how the way of the brush reflects the strategic principles of the way of the sword. Each calligraphy represents a term from the martial artsasuch as do, the way, or wa, harmony. The accompanying text amplifies our understanding of the term, what it meant to Japanese warriors, and what it means to practitioners of calligraphy and the martial arts today. What becomes clear is that these two seemingly unrelated disciplines actually partake of the same profound elemental spirit.The product is a weapon to inspire a kind of worshipful awe, as did Masamunea#39;s blade. The ken exists in a dimension between the substantive and the fantastic. The kanji for ken has a simple radical, two strokes representing the long blade of anbsp;...
|Title||:||Sword and Brush|
|Publisher||:||Shambhala Publications - 2013-08-20|