What do AC/DC and Aphex Twin have in common? David Bowie and Butthole Surfers? The Clash and the Chemical Brothers? On the surface, very little. Yet they are all representative of the most important movement in modern musicaAlternative. What makes these acts alternative? And why do we care? The A to X of Alternative Music answers these questions. This is both the story of the greatest music ever made and an investigation into what it means to be cutting-edge. The book covers global giants like Bob Dylan, Nirvana, and Radiohead, cult favorites like Joy Division, Pixies, and the Velvet Underground, as well as lesser-known pioneers like Can, Fela Kuti, and Spacemen 3. Entries assess each act on the basis of their claim to alternative music status according to three criteria: working practice, musical output, and cultural perception. These acts have rejected the easy route to success, avoiding commercial imperatives and clichAc to make inspiring and influential music that has won devotedain some cases fanaticalafollowings. The entries place artists in their musical and chronological context, providing the background to key scenes and tracing linksaboth formal and aestheticabetween these seminal acts. The book is also a buyers' guide for established and new fans of alternative music, with each entry recommending key releases. The A to X of Alternative Music is the essential reference companion for anyone who loves music madeaand listened toaoutside the mainstream.First team: Malcolm Owen (v), Paul Fox (g), John Jennings (b), Dave Ruffy (d) Place, time, scene: London 1978. ... Stanley was a writer for the NME in the late eighties just after the illustrious weekly had tried, and failed, to reawaken the traditionally ... The Stone Roses were left off that particular collection but they had their own strategy for success and it involved ... Together with his childhood friend Pete Wiggs with whom he use to make party tapes as a teenager, he succumbed to theanbsp;...
|Title||:||The A to X of Alternative Music|
|Publisher||:||Bloomsbury Academic - 2004-07-06|