This book explores the multiple resonances and representations of the arma Christi, the ainstruments of the Passion, a in medieval and early modern culture. From the weapons used to torment and sacrifice the body of Christ sprang a reliquary tradition that produced active and contemplative devotional practices, complex literary narratives, intense lyric poems, striking visual images, and innovative architecture. The verbal and visual representations that accrued from these holiest of relics, and the practices they in turn inspired, are relevant to a wide variety of critical fields and theoretical approaches. This collection capitalizes on recent work on these most central of medieval aobjects, a and produces, through its interdisciplinary and intergenerational scholarly collaboration, a fresh view of the multiple intersections of the spiritual and the material in the Middle Ages. It also includes a new edition of the English arma Christi poem known as aO Verniclea from previously unpublished manuscripts.... not dried up the sea, the water of the mighty deep, who madest the depth of the sea a way, that the delivered might pass over? ... In Boscha#39;s painting, therefore, the devastated, burning landscape, with its ruined fortification inhabited by a dragon, ... on avestimentis gloriaeaquot; [garments of glory] (52:1) and Isaiah will wear a vestimentis salutisaquot; [garments of salvation] (61:10). ... Is Boscha#39;s little hunting scene a reminiscence of this encounter with the hunters, an episode of the past that a Deanbsp;...
|Title||:||The Arma Christi in Medieval and Early Modern Material Culture|
|Author||:||Professor Andrea Denny-Brown, Dr Lisa H Cooper|
|Publisher||:||Ashgate Publishing, Ltd. - 2014-01-24|