The idea of the qprojectq crosses generic, disciplinary and cultural frontiers. At a time when writers and artists are increasingly describing their practices as qprojects, q remarkably little critical attention has been paid to the actual idea of the qproject.q This collection of essays responds to an urgent need by suggesting a framework for evaluating the notion of the project in the light of various modernist and postmodernist cultural practices, drawn mainly but not exclusively from the French-speaking domain. The overview offered by this volume promises to makes an original and thought-provoking contribution to contemporary literary, artistic and cultural criticism. Johnnie Gratton is the holder of the 1776 Chair of French at Trinity College Dublin. He is the author of Expressivism: The Vicissitudes of a Theory in the Writing of Proust and Barthes (Legenda, 2000), and has written widely on modern French fiction and autobiography. Michael Sheringham is Marshal Foch Professor of French Literature, University of Oxford. He has worked extensively on Surrealism, modern fiction, poetry, and autobiography and related genres. His publications include French Autobiotraphy: Devices and Desires (OUP 1993) and Parisian Fields (ed, Raktion Books, 1996).This is all part of the opposition between a#39;lifea#39; and the aquot;usera#39;s manuala#39;, between the ground rule you adopt and the ... affirmed freeplay, the play-off between rule- bound and rule- breaking Life Drive and Death Drive in the Work of Perec, Opalkaanbsp;...
|Title||:||The Art of the Project|
|Author||:||Johnnie Gratton, Michael Sheringham|
|Publisher||:||Berghahn Books - 2005|