What did our Scottish grandparents and great grandparents see at the cinema? What thrilled them on the silver screen? This is the first scholarly work to document the cinema habits of early twentieth-century Scots, exploring the growth of early cinema-going and integrating the study of cinema into wider debates in social and economic history. The author draws extensively on archival resources concerning the cinema as a business, on documentation kept by cinema managers, and on the diaries and recollections of cinema-goers. He considers patterns of cinema-going and attendance levels, as well as changes in audience preferences for different genres, stars or national origins of films. The thematic chapters broaden out the discussion of cinema-going to consider the wider social and cultural impact of this early form of mass leisure. Trevor Griffiths' book is a major contribution to the growing body of work on the history and significance of British film Key Features First major study of early Scottish film New archives and research Fascinating diary entries Early cinema as business Important addition to Scottish film studies Key words: cinema, Scotland, history, cinema-going, society, films, ScottishBy 1924, The Bioscope estimated that one~third of houses across Scotland belonged to circuits for booking ... this all; in May 1929, King assumed responsibility for booking films for the Regent Cinema, formerly the Cinema House, in Glasgow. ... that cost cutting and price reductions assumed in managerial strategies, it was clear to many that the tradea#39;s fortunes rested ... that most cinemas built in the immediate posta#39;war boom made no provision for live entertainment alongside the films, anbsp;...
|Title||:||The Cinema and Cinema-going in Scotland, 1896-1950|
|Publisher||:||Edinburgh University Press - 2012|