In The Country Music Reader Travis D. Stimeling provides an anthology of primary source readings from newspapers, magazines, and fan ephemera encompassing the history of country music from circa 1900 to the present. Presenting conversations that have shaped historical understandings of country music, it brings the voices of country artists and songwriters, music industry insiders, critics, and fans together in a vibrant conversation about a widely loved yet seldom studied genre of American popular music. Situating each source chronologically within its specific musical or cultural context, Stimeling traces the history of country music from the fiddle contests and ballad collections of the late nineteenth and early twentieth centuries through the most recent developments in contemporary country music. Drawing from a vast array of sources including popular magazines, fan newsletters, trade publications, and artist biographies, The Country Music Reader offers firsthand insight into the changing role of country music within both the music industry and American musical culture, and presents a rich resource for university students, popular music scholars, and country music fans alike.recorded songs expressly for the line-dance circuit, labels often hired professional choreographers to create special dances for ... patrons the latest dances.2 For dancers who lived in areas without access to face-to-face instruction, The Nashville Networka#39;s ... However, he maintains that the video success of Mercurya#39;s Billy Ray Cyrus has caused labels to take a more aggressive look at marketing to clubs.
|Title||:||The Country Music Reader|
|Author||:||Travis D. Stimeling|
|Publisher||:||Oxford University Press, USA - 2015-01-30|