Poetry by Asian American writers has had a significant impact on the landscape of contemporary American poetry, and a book-length critical treatment of Asian American poetry is long overdue. In this groundbreaking book, Xiaojing Zhou demonstrates how many Asian American poets transform the conventional aIa of lyric poetryabased on the traditional Western concept of the self and the Cartesian aIaato enact a more ethical relationship between the aIa and its others. Drawing on Emmanuel Levinasas idea of the ethics of alterityawhich argues that an ethical relation to the other is one that acknowledges the irreducibility of othernessaZhou offers a reconceptualization of both self and other. Taking difference as a source of creativity and turning it into a form of resistance and a critical intervention, Asian American poets engage with broader issues than the merely poetic. They confront social injustice against the other and call critical attention to a concept of otherness which differs fundamentally from that underlying racism, sexism, and colonialism. By locating the ethical and political questions of otherness in language, discourse, aesthetics, and everyday encounters, Asian American poets help advance critical studies in race, gender, and popular culture as well as in poetry. The Ethics and Poetics of Alterity is not limited, however, to literary studies: it is an invaluable response to the questions raised by increasingly globalized encounters across many kinds of boundaries. The Poets Marilyn Chin, Kimiko Hahn, Myung Mi Kim, Li Young Lee, Timothy Liu, David Mura, and John YauThe speaker of this poem assumes the voice of Kit- sune, the trickster fox in Japanese folklore, to embrace an aoffensivea culture of the other, to at once mimic and satirize the dehumanizing representation of aJapsa with a asneaky inscrutable anbsp;...
|Title||:||The Ethics and Poetics of Alterity in Asian American Poetry|
|Publisher||:||University of Iowa Press - 2006-05-01|