qThe recent researches of Dr. Don Gillespie have succeeded in fleshing out the erstwhile-shadowy figure of this Thomas Ward and recording much detail of his life as the result of a piece of detection almost unparalleled in its thoroughness and fascination.q--Robert Threlfall, Delius' Musical Apprenticeship qScholarship of the highest quality transformed into a story of great entertainment and intrigue. . . . This book will be of use to all scholars of 19th- and early 20th-century music for the light it casts on the development of Delius's mature compositional style, as well as to general readers interested in the cultural history of 19th-century Brooklyn and Florida.q--William Duckworth, Bucknell University From the foreword: qSpeaking of those early days in Florida, Delius once said to me, 'Ward's counterpoint lessons were the only lessons from which I ever derived any benefit. He showed wonderful insight in helping me to find out just how much in the way of traditional technique would be useful to me.'q Thomas F. Ward (1856-1912), the American teacher of the composer Frederick Delius, died in historical oblivion and was buried in an unmarked grave, apparently too poor to pay his own funeral expenses. This biography of Ward describes his crucial influence on Delius, an Englishman whose formative musical years were spent under Ward's tutelage in the mid-1880s on an orange plantation on the St. Johns River south of Jacksonville, Florida. Don Gillespie's fascination with Delius began when, as an undergraduate music student from a south Georgia town, he was drawn to a haunting picture--a cabin in a swamp, some cypress trees, hanging moss--on one of the composer's record jackets. Delius's evocative southern harmonies played in Gillespie's mind throughout decades of hectic work in music publishing in New York City. His lifelong fascination with Delius eventually led to an obsession with the mysterious aura surrounding the composer's most important teacher. Gillespie traces Ward's life from his Catholic musical upbringing as an orphan in Brooklyn, to many parts of Florida, to his death in Houston, offering new information about art and folk music in both Brooklyn and Florida in the late 19th century. A leitmotiv running through the book is the African-American folksong qOh Honey, I Am Going Down the River in the Morning, q whose origin in northern Florida was previously unverified and which forms the basis of one of Delius's most famous orchestral/choral compositions, his tone portrait of the American South, qAppalachia.q Don C. Gillespie is vice president and director of special editorial projects with the C. F. Peters Corporation in New York City. He has prepared manuscripts for publication and edited scores by Babbitt, Becker, Cage, Crumb, Feldman, Takemitsu, and numerous other composers in the Peters Catalogue, and he has written widely for journals such as Musical America, The Musical Quarterly, and Notes. Among many professional activities, he is a member of the Delius Society of London and the Delius Association of Florida.At that moment I did know that Warda#39;s had not been a life of failure, unless one equates the absence of fame and wealth ... As Sister Mary Albert reflected in a note to me on July 11, 1991: aquot;God allowed Thomas Ward [after leaving Florida] to arrive ... In mid-life he was able to make his way, use his talents, and cultivate personal relationships suited to personality. ... in which in addition to the aquot; Appalachiaaquot; theme, we can hear the combined tunes of aquot;Dixieaquot; and aquot;Yankee Doodle, aquot; the latteranbsp;...
|Title||:||The Search for Thomas F. Ward, Teacher of Frederick Delius|
|Author||:||Don C. Gillespie|
|Publisher||:||University Press of Florida - 1996|