In post-9/11 America, while all eyes were on Iraq and Afghanistan, The Wire (2002-2008) focused on the dark realities of those living in America's disintegrating industrial heartlands and drug-ravaged neighborhoods, striving against the odds in its schools, hospitals and legal system. With compelling story lines and a memorable cast of characters, The Wire has been compared to the work of Tolstoy and Dostoevsky, with a level of detail rarely seen in a dramatic series. While the show garnered critical praise and a loyal following, a discussion of its political aspects--in particular Bush-era America--is overdue. This collection of new essays examines The Wire in terms of the War on Drugs, the racial and economic division of America's cities, the surveillance state and the meaning of citizenship.In addition, the show does not make it easy for a casual viewer to catch up with the show: episodes do not open with recaps of ... Not only is the experiment central to Seasons Three, but it also occupies a central thematic or argumentative place because it shows how the conventional ... the catastrophe.1 Establishing the afree zonea (which comes to be known as Hamsterdam)2 is the idea of Major Colvin.
|Title||:||The Wire and America’s Dark Corners|
|Author||:||Arin Keeble, Ivan Stacy|
|Publisher||:||McFarland - 2015-04-07|