The audience is an integral part of performance and is in fact what separates a rehearsal from a performance. The relationship, however, between performers and the audience has evolved over time, which is one of the subjects addressed, along with the changing disposition of the audience itself and a number of other topics, in Gods and Groundlings, volume 20 of the annual journal Theatre Symposium. The essays in this volume discuss spectatorship in historical context, the role of the audience in the digital age, the early modern English transvestite theatre, Annie Oakley and the disruption of Victorian audiences, and historical attempts to create ideal audiences. Edited by E. Bert Wallace, this latest publication from the largest regional theatre organization in the United States collects the most current scholarship on theatre history and theory. Contributors To Volume 20 Susan Bennett / Jane Barnette / Becky Becker / Lisa Bernd / Evan Bridenstine / Michael Jaros / Robert I. Lublin / Paulette Martywomen, such as Lucille Mulhall, could make no progress in changing so- cial expectations of dress despite the number of debilitating ... How, then, did audiences come to accept Oakleya#39;s outfitsashockingly similar in silhouette and function to those endorsed by early feminists? ... disorders unique to women.24 Annie Oakley had no children and Tracy Davis suggests that her early years with Frank Butler, anbsp;...
|Title||:||Theatre Symposium, Vol. 20|
|Author||:||Edward Bert Wallace|
|Publisher||:||University of Alabama Press - 2012-09-17|