When Zandria Robinson returned home to interview African Americans in Memphis, she was often greeted with some version of the caution qI hope you know this ain't Chicago.q In this important new work, Robinson critiques ideas of black identity constructed through a northern lens and situates African Americans as central shapers of contemporary southern culture. Analytically separating black southerners from their migrating cousins, fictive kin, and white counterparts, Robinson demonstrates how place intersects with race, class, gender, and regional identities and differences. Robinson grounds her work in Memphis--the first big city heading north out of the Mississippi Delta. Although Memphis sheds light on much about the South, Robinson does not suggest that the region is monolithic. Instead, she attends to multiple Souths, noting the distinctions between southern places. Memphis, neither Old South nor New South, sits at the intersections of rural and urban, soul and post-soul, and civil rights and post-civil rights, representing an ongoing conversation with the varied incarnations of the South, past and present.... 103a4, 119; fictional representation of Soulja Boy/IceT beef, 164 Boundarywork, 15a16; and symbolic boundaries, 15, 16; ... George W., 87a88 Call to Home, 53 Cannon, Nick, 164a65 Carby, Hazel, 202(n.14) Cash Money Records, 66 Cayton, anbsp;...
|Title||:||This Ain't Chicago|
|Author||:||Zandria F. Robinson|
|Publisher||:||UNC Press Books - 2014-04-15|