This interactive e-book is named aTrue Colorsa, because it describes what we aim for when we try to produce an image without randomly changing its colours in print or on the internet. It centres on how to make the workflow of shootingg processingg manipulationg reproduction to be as predictable and optimal as possible. The human factor is central to the book. Most mistakes in the colour workflow are made through bad or lacking communication, and thereas a chapter on Communicating Color a not only about human-speak, but on how colour translates and communicates digitally to analogue output. It covers print, ink, paper, light, viewing and the many factors within Colour Management that are non-digital.Creative photographers who like to tweak a lot in the raw converter may think the default starting point doesna#39;t matter, because ... If youa#39;re put off by the a#39;correctness a#39; of a profile, start thinking of it as an optimization that can be customized evenanbsp;...
|Publisher||:||Eureka Imaging Publications - 2014-01-26|